close
Support A*Desk

A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Monográficos en torno al arte publicación semanal

Magazine

MAGAZINE

Monographs about contemporary art and culture, current but not only.
Weekly publications on monthly topics. This section also includes historical monographs.

The (Positive) Deviance Of Queer Culture

Marwan Kaabour

Try not to choke when you speak my mother tongue. Try it, yalla

Marwan Kaabour

Faggety Fag Dreams Between Thieves Street and Lazarus Gate

Rana Issa

MAGAZINE

Monographs about contemporary art and culture, current but not only.
Weekly publications on monthly topics. This section also includes historical monographs.
The (Positive) Deviance of Queer Culture Dark Mode Echoing Cavities Disappearance of cultural policies Bodies of Evidence Disobeying the Possible Living on the border Mediation Liternature Borders Family Values Redeeming Metaphors Radical Cuteness Water Wounds Temporary Discomforts Productive nostalgia The symbol in the pictorial universe Reparation and restitution Electric & Porous -a continuous present State Equals Culture? (Self)Migrate Peripheries Revisiting the archive Frivolous-Political Poetic Recodification of Collective Imagination Intersectional solidarity Dissident communities Sin asignar The Weight of Air Textualities Composition Energy Latent space & AI art Architecture and pleasure CripCulture Time-Travel Machine Drawings I am an holobiont Waves of Resistance Collaborative Film Making Morocco Auteur Cinema Art and fiction Magical Abnormalities #Pumpupthevolume! Adolescents & digital culture Abolish Naivety Labor Fascism Among The Stars Heterochrony ResearchARTEducation Rebranding: Fashion and Activism Split Screen Visionary Women Art Getting paid for working Financing Culture Transports Rift-ass-border pedestal Collective work Make visible Ruin Images of the pandemic 2021Odyssey Material Consciousness Retraction Work, Stimulant, Insomnia The Fiction to come why do I continue Common structures Networks of care Ways of living Telurism laughingoutloud newnewnewinstitutionalism Close to the body Iconic Night and Darkness Women's Voice Design Listen Internationalization Imposture Sharing the archive 2019 Context: Argentina Amateurism Failure Algorithms of Power Barcelona Scholia Artists Status Time Coreografía Comunidad/Ritual Piedras Revisando Archivo Globalidad crítica New mysticism Repetición Feminismos Antropoceno Archivo Ciudad Estado de excepción Hortera Longevidad Silence Manel Clot "Must" events D for distribution Loop Talks 2017 Marginal DIY Sex Strange phenomena Artistic Research Curating Food Work Sharing the archive The Gif Globality and subject Globality and geography Artists' books Workshop Fear, control, security Body Domestica Failure Art criticism Trans' Narratives, display and textuality The institution reviewed Política, ocio, el arte y sus derivas The Biennale in layers Film-Art-Video. All together now! Timelines, historic markers The sonorous month Participation and (some of) the forms it takes How to explain Catalonia Distribution of contents

Media Partners:

close
close
"A desk is a dangerous place from which to watch the world" (John Le Carré)