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Picasso y los franquistas
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Post-humanism and Utopia in Aura Nera, by Regina de Miguel
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crisis en la sala rekalde de bilbao
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Quatre coses sobre espectatives de transformació i perímetres relacionals de les pràctiques artístiques des de l’àmbit de la crítica (el crític com a productor o la superació de la psicoastènia)
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Share to preserve
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La masa y la grasa
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The gaping mouth: Trump and the carnival in power
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Automation and The Act of Musical Invention
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Life Or, Contributions to the Cloud
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Retraction [5/5]
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El fenómeno Vvork.com
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The other beyond the masks. A look at “Making Africa. A continent of contemporary design”
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Capital Land. China y la censura artística
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Concurso Canòdrom
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Stealing our Time
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Deep Stagnant Waters
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Piss of Art: A Journey Through the History of our Bodies
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Dismantling Holland and the knock-on effects
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The Lost Cinderella (the failure of the art system)
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Flying over the debris of GIFs.
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Projects expanded in time
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Sociedad del espectáculo
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La gira Documenta
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Arte fuera del mercado. ¿Sostenimiento o disidencia?
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Pinche institución arte
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Aplaudiendo a Santiago Sierra
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Interview with Thierry Geoffroy. “The next Documenta or Venice Biennale should be curated by Mother Theresa”
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The parts and the whole: policies of national representation
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Manifesta 12 Palermo The Planetary Garden. Cultivating Coexistence
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Everything Must Change?
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Dependences and Independences in Moroccan Cinema
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“ENJOY THIS LEAK >W< GAY FURRIES PWN THE GOVERNMENT”
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COSMOGRAMMATIC
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Dora García responds
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Prize for texts about art
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Astonishment… Hans Haacke in Martorell
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Intravia, or how to become a wild boar
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The measure of what is possible
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(Public) Forms of Collectivity: A conversation with Binna Choi
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In El Palomar there are two pigeons
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The greatest failure, a lack of culture
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A*DESK Archive according to… Swetlana Heger
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The A*DESK Archive according to… Antonio Ortega
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ACCA special: Interview with Federico Campagna
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Sediment. [An investigation arising from a photograph] (Précis)
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Transmitter and Receiver
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In archaeology the context is everything
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X EX ÉXODO(1)
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Why would we have to share if we didn’t have limits?
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Media Archaeology: Questioning the New in Media Arts*
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“Pacific Standard Time”, or redefining history, all of it
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Que todo el año sea verano
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La coreografía del hábito. Los almuerzos con Job Ramos en Nyamnyam
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El comisariado en crisis
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Workshops, estudios, trabajos en Buenos Aires
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Corrección y honestidad
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Documentos que funcionan
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El futuro incierto de Arxiu_Dossiers
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Tiempo de ocio – tiempo de trabajo. Networking y fiesta en L’Estruch
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Paul McCarthy y las digestiones navideñas
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33 aniversario del reasesinato de JFK
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Revisitando a Gober
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“- Joan Morey me deja ver POSTMORTEM!” o “Sobre el papel del espectador en el proyecto POSTMORTEM de Joan Morey “
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La red y el arte
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Patrimonios incómodos.
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“Buenos Aires no existe. Apenas una ciudad de provincia llena de gente rica sin el menor gusto”
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Journal de e-flux
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Duchamp y el contexto
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La Fábrica
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Esto terminará en lágrimas
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Manifest Groc
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“Pensar el presente”
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Venezia, Catalunya. 2009
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La Caula, Pilar Parcerisas y Joan Casellas
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Red Conceptualismos del Sur
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Display Deficit Disorder
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Concurso CGAC
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Films, films, films y más films
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Más cosas que lamentar…
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Urtain
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Sobre quinquis y jazz
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Ángeles, vírgenes y cohetes
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Desde Siberia, ideas de gestión cultural
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Videoarte español vs. capitalismo
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Virtual Box
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Aplaudiendo (más) a Santiago Sierra
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Siempre hay un vaso de política para el artista contemporáneo
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Spanish art by Adrian Searle
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Carta oberta de l’Associació Galeries Independents de Catalunya
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Yo he participado de una experiencia artística. Ricardo Basbaum en el CGAC.
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2017: what the f**** is going on?
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Archive: In homage to Manel Clot
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Archive: Eloy Fernández Porta or the non Unitary Subject
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The Blackouts by Tres or how to turn Everything off
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Some traits of the literature of this milennium
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El futuro de la imprenta
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Systems aesthetics, or how to be critical with/through art
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Las estructuras del arte. Una entrevista con Mario García Torres
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Outcries and silences. Art and (in)dependence
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Franco “Bifo” Berardi. Times of Mutation
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Report from the Baltic Region
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BEWARE OF WHAT YOU DREAM OF, IT MAY JUST COME TRUE
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The Struggle for Territoriality: The Kueka Stone
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Screen coreography. Through La Plaza, by El conde de Torrefiel
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Model and effect
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On Adversarial Futurism
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Biographical Sketch of the Belamy Family (A Story of Two Blown Pretences)
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Dialogue in a Mattress Shop (by Guillaume Bijl)*
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The kitchen and the clock
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Automatic Racism: Emoji, Normativity and the Big Fail of the Predetermined Universal User
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Lack of Laughter
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Stimulants: Circulation and Euphoria
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Retraction [1/5]
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Retraction [2/5]
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Retraction [3/5]
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Retraction [4/5]
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Collapsing time, folding space
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Speaking Martian
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Speaking Martian
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Split and Explode. The Screen as Minefield
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Death to deadly freshness! Long live lively corruption!
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LGBTQ Surplus Value
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Collaborative Film Making
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Collaborative Film Making
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Holobionts, Cyborgs, Critters and Other Oddkin
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Opening Imaginations
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Dress to Undress
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The Universal Right to Breath
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Part 3: The Benevolent Gaze
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COSMOPOLITICS
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Fear, control, security
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Four atypical art centres in Paris
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What’s human in the banal
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dart- Documentary Film Festival on Contemporary Art
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Dare to embrace the bodies
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PROJECTIONS AND REVERBERATIONS IN SEARCH OF A POSSIBILITY
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Whom does los Bañados heat up?
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A*LIVE 2021_Masters of Implosion
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(Re)visiting Cinema as Public Space On Eli Cortiñas’ „Remixers Never Die“
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To try out other possible scenarios
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Emerging, but for how long?
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Pictorial reflections on extractivism
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Revenge and victory of video art
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Genealogies of the artistic self-management
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Chiaroscuro
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The Body is The House, The House is But Haunted
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The textile renaissance
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A*Table
…of consumption, forms of presenting and articulating discourses, and above all, an opportunity to experiment with sustainable ways of developing ideas in art and culture. For more information: [http://www.a-desk.org/spip/spip.php?article1105 >http://www.a-desk.org/spip/spip.php?article1105]…
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A*LIVE. Ara i aquí. Art actual TV
…Frederic Montornés, crítico de arte y comisario; y Pep Vidal, artista. Este es un evento abierto al público y de aforo limitado. Retransmisión en streaming en las páginas www.artssantamonica.cat y…
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A*WORKSHOP Hangar
Herramientas para el discurso crítico en arte. Un workshop participativo de A-Desk en HANGAR http://www.a-desk.org/15CAST/ Prácticas críticas es un workshop participativo de A-Desk destinado a profundizar en las herramientas del…
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A*LIVE ARCO. 35 years of art scene in Spain
…this series of crossed interviews on a TV format we call A*LIVE ARCO. https://www.youtube.com/watch?v=Ys1zlwtdEEA Taking part: Juan Canela, Elba Benítez, Estefanía Meana, Fernando Meana, Luis Francisco Pérez, Miguel Ángel Sánchez,…
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Workshop with Raimundas Malasauskas
…real, city is a background and a character. When time comes to write a proposal of how to live such world you start at the beginning and end at the…
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A*WORKSHOP Lima
Centro Cultural de España en Lima http://www.a-desk.org/29/…
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A*WORKSHOP CGAC
…% participativo, se plantea como un ejercicio práctico de crítica, abierto a la colaboración desde distintos ámbitos y puntos de vista de diferentes generaciones. Todo el trabajo realizado en el…
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A*WORKSHOP Madrid
Taller destinado a profundizar en las herramientas del pensamiento crítico en arte. El taller, 100 % participativo, se plantea como un ejercicio práctico de crítica, abierto a la colaboración desde…
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A*WORKSHOP Rosario
Centro Cultural de España en Rosario (Argentina) http://www.a-desk.org/30/index.php…
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A*WORKSHOP Belo Horizonte /Recife
…(revista, formación, blog, safe-desk, media, agenda…) Presentación de los cuatro miembros de A-Desk así como de su posición crítica en arte: comisariado y crítica. Contexto, medios, formatos de presentación y…
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SWEET WALL. BARCELONA. 2014. ABRIL, 3
…insertarlo en el presente. Desde el Programa de estudios de A*Desk 2013-2014 nos hemos planteado el reto como una oportunidad para reflexionar en torno al comisariado y la medicación cultural,…
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Presentación Biel Books: “Demagogia y propaganda”
…11, 08012, Gracia-Barcelona) y contará con la presencia de Antonio Ortega, Gabriel Pericàs y Rubén Martínez. El libro puede adquirirse de forma anticipada (con un 25% de descuento) en www.bielbooks.com…
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Webinar: “The city that lives in me” by Ro Caminal
…the common place, where her space and the space of the “other” meet, trying to locate her work in this interstitial space. Ro lives and works in Barcelona. www.rocaminal.com …
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Webinar: “Processes of assembly in art. Care for exhibitions” by Roberto Uribe-Castro
…architect by Roberto Uribe-Castro. OBJECTIVES At the end of the workshop, the participants will know how to approach any kind of exhibition, regardless of size or complexity, using the tools…
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Webinar: “Create 3D real-time animations with Unity3D” by Lucas Gutierrez
…The New Infinity, Berliner Festspiele, CTM / transmediale (Berlin). Lectures at UdK Berlin and Kunsthochschule Weißensee Berlin in the fields of real-time visualization, spatial motion graphics and visuals. www.lucasgutierrez.com instagram.com/_lucas_gutierrez_…
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Webinar: “I’M #MYBRAND” by Cecilia Martín in collaboration with Siena Beacham
…communicologist and a cultural manager who intentionally chooses to tackle her job with compassion and empathy. She understands the positive power of narrative and the importance of owning a powerful…
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Videoart at Midnight BCN, a project by A*Desk
…hopes that technologies offer us. https://www.youtube.com/watch?v=X8UQmyquYDg Global Windshield, The Musical, 2018, 18’55’’ The work of Momu & No Es (Lucía Moreno, Basel, 1982 and Eva Noguera, Barcelona, 1979) is based…
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